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A visual account of the changing infrastructures that underpin the art world in general and Tensta konsthall in particular. Created by Metahaven.
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22.10 2014–11.1 2015
This Place is Every Place by Ane Hjort Guttu


22.10 2014–11.1 2015
School Section by Dave Hullfish Bailey


Tensta Museum
Continues


11.6–28.10
Space, Tensta konsthall's curatorial platform online
Arab Image Foundation – Rifat Chadirji Collection


Saturday 1.11
Host Evelina Hedin introduces
Current Projects


Sundays 13:00–16:00 


The Silent University: Language Café


28.10–31.10
Art Camp: Figure Drawing with Gerleborgsskolan


Sunday 16.11, 13:30
Book Release Art and the F Word: Reflections on the Browning of Europe


Education initiative
Stockholmsskolan (Stockholm school)


Inga undantag (No Exceptions):
a report on the important work of
contemporary art centers 


This Place is Every Place by Ane Hjort Guttu

22.10 2014–11.1 2015 This Place is Every Place by Ane Hjort Guttu, as part of The New Model. This Place is Every Place essentially consists of a dialogue between two women in the suburb of Tensta in Stockholm. The Arab spring is a backdrop for their conversation, and the film puts forward a connection between the global protest movements of the past three years and the riots in the Swedish suburbs.more →

School Section by Dave Hullfish Bailey

22.10 2014–11.1 2015 School Section by Dave Hullfish Bailey, as part of The New Model. Bailey's practice is rooted in close observation, cross-disciplinary analysis and the experimental mapping of specific places, often sites where geographical edges coincide with cultural and economic margins. Sculptural processes and forms—including models, improvised devices, working prototypes, provisional architectures and sited interventions—play multiple roles in his projects, not only as conceptual motors and concretely experienced objects, but as means for speculative realignments of social patterns.more →

Tensta Museum Continues

Tensta Museum: Reports from New Sweden is about history and memory in Tensta, both in relation to the place and to the people who live and work here. After Tensta Museum Fall Department (26.10 2013–13.1 2014) and Spring Department (18.1–18.5 2014) as well as branches in the same period at the Stockholm City Museum, and Museum of Medieval Stockholm, the museum the area can now call its own is continuing in the form of Salon Tensta, a classroom for Swedish lessons, original drawings of Tensta by architect Igor Dergalin, posters by artist Jakob Kolding, an Arts and Literature walk in Tensta and seminars. The online platform Space and Beirut’s Arab Image Foundation present Rifat Chadirji’s Collection of photographs with late modernist architecture and people in public space in Iraq from the period around 1950–75. Citizen to Citizen, a venue for newcomers who need support and knowledge of the community in Sweden takes place every Thuesday and a language café is organized through The Silent University. more →

Arab Image Foundation – Rifat Chadirji Collection

11.6–28.10 Rifat Chadirji is reckoned to be one of the most important architects in the Arab world. He was born in 1926 in Iraq and trained as an architect in London. Soon after his graduation he returned to Iraq and participated in the large-scale, modernist building projects carried out in Iraq during the 1950s, made possible because of income from Iraq’s oil industry. Chadirji had a prominent role in this work. In addition to his employment as advisor to the government, he also started the company Iraq Consult, in 1952, which became well known for its artistic use of architecture.more →

Tarek Atoui and de:tune Järva at Tensta Market

Ongoing The artist and composer Tarek Atoui work with the music genre, Tarab, and other classical Arabian music. It has a very sparsely documented history which Atoui, trained in electro-acoustic music and sound art, has delved into over several years. In Tensta he creates, over a period of six months, a kind of living archive together with local musicians and people interested in music. It becomes a bank of experience, whose constant changes and elaborations take place through encounters, listening together, improvisational concerts and conversations about music. All this ends up in various pieces of music that can be heard in the gallery café and concerts at Stockholm Music & Arts and Tensta Market. The participants' various musical traditions become an expression of Järva’s diverse musical identity.more →

Tours

Guided tours every Thursday and Saturday at 14:00. Current projects: This Place is Every Place by Ane Hjort Guttu, School Section by Dave Hullfish Bailey and Tensta Museum Continues.
more →

The Silent University: Language Café

Sundays 13:00–16:00 

Every sunday afternoon a Language Café led by Fahyma Alnablsi will be arranged. The Language Café welcomes those who wish to learn the basics of the Swedish and arabic language, meet new friends and share experiences and ideas. Especially welcome are those students who are currently outside the Swedish education system while awaiting asylum. During the meetings we will practice grammar, socialize, read simple books and do conversational exercises. For registration and information please contact fahyma@tenstakonsthall.semore →

Klister report: Inga undantag (No Exceptions)

Inga undantag (No Exceptions) is the name of a new report authored by Mikael Löfgren and developed by Klister, a nationwide network of small and medium-sized contemporary art centers in Sweden.more →

Writer Mekonen Tekeste and stories about Eritrea


Thursday 
11.12, 17:00-19:00 Stories of Tekestes writing 
and stories about Eritrea. 
Starting with the late writer Mekonen Tekestes, three themed afternoons take place at Tensta konsthall focusing on stories about Eritrea. Tekeste wrote twenty small books during his lifetime in his native language Tigrinya and illustrated the covers himself. The books are stories of people's lives, and are about family relationships, the upbringing of children and young people, refuge, and how the value of study and training can be spread, Tekeste lived in Stockholm for more than thirty years, and was for several years linked to ABF as a study group leader.more →

Art and the F Word: Reflections on the Browning of Europe

Sunday 16.11, 13:30 Book Release Art and the F Word: Reflections on the Browning of Europe. Focusing on the alarming spread of fascism in Europe, the various contributions in the book indicate the power of art to imagine futures beyond the present situation and what can be perceived as irrevocable. Contributions from the cultural critic Boris Buden, the curators Jelena Vesic and Barnabas Benczik, and the artists Lawrence Abu Hamdan and Petra Bauer create and formulate resilient and constructive possibilities for artistic and social work. The language of politics and philosophy are examined, but also populistic tendencies, social contexts, media, science, and aesthetics.more →

Art Camp

During school breaks Tensta konsthall arranges art camps for children and teenagers, 10–19 years old under the guidance of a professional artist. The art camp may revolve around specific mediums, themes, or the artist’s own practice.

more →

Homework assistance Individuell människohjälp


Every Wednesday 16:30–18:30 Since the 1990s Individuell människohjälp (IM) has arranged Homework Assistance at Tensta Library. During the autumn the activities also take place at Tensta konsthall. Volunteers provide additional support for school work, primarily for children and youth in the area. From the start, the purpose of Homework Assistance has been to promote education on an equal basis, regardless of native language. Homework assistance is aimed at young people in the neighborhood aged 11–20 years and takes place in The Classroom in the art space.more →

The Silent University

The Silent University is initiated by artist Ahmet Ögüt and started in Stockholm as part of Tensta Musuem: Reports from new Sweden fall 2013. The Silent University is an autonomous knowledge exchange platform by and for refugees, asylum seekers, and migrants who have had a professional life and academic training in their home countries, but are unable to use their skills or professional training in Sweden due to a variety of reasons related to their status. The Silent University aims to address and reactivate the knowledge of the participants and attempt to make systemic failure apparent. www.thesilentuniversity.orgmore →

Stockholmsskolan

Spring and fall 2014 Stockholmsskolan (Stockholm school) at Konstfrämjandet runs during the spring at Botkyrka konsthall, Konsthall C, Marabouparken, and Tensta konsthall.more →

Parenting forum with Rädda Barnen

One Tuesday a month 17:30–19:30 Parenting forum with Rädda Barnen. One Tuesday evening every month Rädda barnen (Save the Children) organizes Parenting Forum at Tensta Konsthall. It is a place where parents can come together to discuss and gain new experiences and knowledge. The meetings are free of charge with free refreshments. Each session focuses on different themes such as the housing situation in Järva, local politics, parenting and equality. Invited guests offer specialization in different subjects.more →

Tea and Coffee Salon

Christimas Market 6.12, 12:00–16:00 Members of Women's Center offer tea and coffee according to their traditions from Lebanon, Bolivia, Syria, Iraq, Somalia, Iran and Afghanistan. At the same time they sell their handmade products in the form of jewelry and reused textiles. In collaboration with Women's Center in Tensta-Hjulsta

more →

Brunch

Vegan brunch is served on the last Sunday of every month. From the menu: pasties, bulgur wheat salad, dips, beetroot, bread, chocolate cake, and more. For larger groups, email info@tenstakonsthall.se
for reservations.more →

Cluster

Ongoing Cluster is a network of eight internationally operating contemporary visual art organisations situated in residential areas on the peripheries of major European cities (plus one in Holon, an industrial zone outside of Tel Aviv). Each of these organisations are actively involved in their local contexts, fostering their embeddedness within their surroundings.

more →

KLISTER

Ongoing from September 2012 The network Klister is a nationwide network for small and medium-sized contemporary art institutions in Sweden. Klister seeks to highlight the role of smaller contemporary art institutions in society.

more →

COHAB

2012–2014 Casco, Office for Art, Design and Theory, Utrecht, Tensta konsthall, Stockholm, and The Showroom, London are pleased to announce the launch of the two-year project COHAB that investigates meaningful ways in which artists and organisations can be deeply invested within their local contexts and at the same time form close dialogues in an international arena.

more →

The New Model

2011– Lars Bang Larsen, Magnus Bärtås, Ane Hjorth Guttu, Dave Hullfish Bailey, Hito Steyerl. Started in 2011 at Tensta konsthall, over a period of two years, The New Model will investigate the heritage from The Model: A model for a qualitative society in a number of projects, seminars, workshops and exhibitions. Participants will include Lars Bang Larsen, Magnus Bärtås, Ane Hjorth Guttu, Dave Hullfish Bailey and Hito Steyerl.

more →

The Fashion Project

From March 2012 In this project fashion is placed into a wider context, focused on identity and networking for women.

more →

Café

Ongoing Our café serves food and sweets with inspiration from all over the world. We have free wifi for guests, toys for the children, and Swedish and international art magazines to read.

more →

Ongoing In the spring of 2011 Konsthallsklubben (Gallery Club) was initiated by a group of 11 year-old girls from a nearby school. The club is aimed at children, 10-13 years old, who meet once a week to discuss and make art together with invited artists and staff.

more →

Gunilla Klingberg: Brand New View—Tensta

Ongoing Gunilla Klingberg’s work on the two front windows of Tensta Centrum, Brand New View—Tensta, is a new work in a series of installations with cut-out foil on windows. For Abstract Possible: The Stockholm Synergies 
she has made a new version of Brand
 New View, this time relying on logos found in Tensta Centrum, for example, 
the grocery store Matvärlden and the kebab restaurant Tasty Fried Chicken.

more →

Wade Guyton: Untitled

Ongoing The floor in Tensta konsthall's exhibition space is a work by New York based artist Wade Guyton. The very means of artistic production—particularly painting—are the focus 
of many of his works. Untitled (2010) is a remake of the floor in Guyton’s former studio space.

more →

Tommy Støckel: Workshop with Ross Tensta Gymnasium and KTH Tensta

Ongoing The results from the workshop that the artist Tommy Støckel held in December 2011, together with students from Ross Tensta gymnasium and KTH Tensta in conjunction with Tensta konsthall are exhibited in Ross Tensta Gymnasium’s conservatory. The workshop was carried out during Abstract Possible: The Stockholm Synergies, where Tommy Støckel partook with the piece In My Mind This Goes On Forever (2012).

more →

Tenstakonsthall.se

Ongoing Tensta konsthall's new website and a communication strategy is specific for the art space and its program. Design by Amsterdam-based design studio Metahaven.

more →

Spatial Concept: Nikolaus Hirsch

Ongoing The spatial concept for the new Tensta konsthall has been developed by architect Nikolaus Hirsch. Architect Filippa Stålhane has developed the details.

more →

visit

Hours
Wednesday 11-21
Thursday-Friday 11-18
Saturday-Sunday 12-17

Free entrance. Voluntary donation.

Tours
We do custom tours for elementary school to high school aged groups. Pre-booked tours during the day for schools are free. The tour takes about 50 minutes.

Tensta konthall offers guided tours of current exhibitions for large groups such as arts organizations, businesses or private groups. Tours are offered in Swedish and English. Cost is 2000 SEK + voluntary entrance donation. Length is about 50 minutes and maximum number of participants is 30.

In conjunction with tours our Café can offer light meals and snacks at good prices.

For reservations and more information about tours contact Emily Fahlén emily@tenstakonsthall.se or 08-36 07 63.

Directions
Take the blue line metro towards Hjulsta and get off at Tensta. The ride takes about twenty minutes from Stockholm's Central Station (T-Centralen). Tensta konsthall is located directly under the Tensta Centrum shopping mall and there is a flight of stairs from Tensta Allé leading down to Taxingeplan, the square just in front of the konsthall.



cafe

The café is the entrance to Tensta konsthall. The café offers coffee and light meals, and its opening times are the same as the gallery’s. Tensta konsthall and its café, with free Internet service, also functions as a meeting place for individuals, groups and organizations, and as a workplace. The menu varies from day to day, and can include substantial salads, soups and grilled sandwiches.  The café also offers espresso, a large selection of teas, which can be accompanied by, for example, baklava, carrot cake, cinnamon rolls.

The café is run by XpandiaVision, a non-profit social company. All proceeds will be used to create new jobs and career development for people who stand outside of the labor market.

For reservations for groups and catering, call 08-360763 or email  asa.lindgren@xpandiavision.se

Hours:
Monday-Tuesday 11-17
Wednesday 11-20
Thursday-Friday 11-18
Saturday-Sunday 12-17


about

Contact
Tensta konsthall
Taxingegränd 10
Box 4001
163 04 SPÅNGA
SWEDEN

T: +46 8 36 07 63
F: +46 8 36 25 60
E: info@tenstakonsthall.se
W: www.tenstakonsthall.se

Tensta konsthall is a private foundation organization with number: 802409-6110.

Staff



Fahyma Alnablsi, host
fahyma (at) tenstakonsthall.se

Emily Fahlén, mediator
emily (at) tenstakonsthall.se

Ulrika Flink, assistant curator + press
ulrika (at) tenstakonsthall.se

Asrin Haidari, communication + press

asrin (at) tenstakonsthall.se
click here to visit mynewsdesk for high resolution press images

Maria Lind, director
maria (at) tenstakonsthall.se

Hedvig Wiezell, producer
hedvig (at) tenstakonsthall.se

Nora Chaker
Lars Hedelin
Evelina Hedin
Bruno Hilbombo
Carl-Oskar Linné
Masha Taavoniku

Board:
Calle Nathansson (head of board)
Christina Jerlin
Anna Kettner
Sven Lorentzi
Birgitta Rydell
Katarina Sjögren

Funders
Tensta konsthall is supported by Stockholm City, Swedish Arts Council, Stockholm County Council

Abstract Possible: The Stockholm Synergies is supported by Danish Arts Council, FastPartner, Foundation for Arts Initiative, Malmö konsthall, Mondrian Foundation, The Office for Contemporary Art Norway, Austrian Embassy; Parts of Abstract Possible: The Stockholm Synergies are realized in collaboration with ABF, Center for Fashion Studies, Stockholm University, Konsthall C, The Royal Institute of Art, Ross Tensta Gymnasium, Sternberg Press, Tensta Library; Special thanks to Iaspis; Part of the project was realized as a consultancy commission at Bukowskis

Art Camps are realized in collaboration with Gerlesborgsskolan, Göteborgs konstskola, Konstfack, Lava Kulturhuset, The Royal Institute of Art, Nyckelviksskolan, Unga Dramaten

Bidoun Library is realized in collaboration with Bagdad Café

Cluster is realized with support by European Cultural Foundation, Swedish Arts Council

Curatorial Summer Workshop is realized in collaboration with Kungl. Konsthögskolan, initiated by Maria Lind and Nina Möntmann

Doing what you want: Marie-Louise Ekman accompanied by Sister Corita Kent, Mladen Stilinovic and Martha Wilson is realized in collaboration with Henie Onstad Kunstsenter in Oslo. The seminar series Dream and Reality is realized in collaboration with the Institution for Culture and Communication at Södertörn University and ABF

Gallery club is realized in collaboration with TioTretton Kulturhuset, Cinema Africa, Blå Huset

Hinrich Sachs Kami, Khoka, Bert and Ernie (World Heritage) is realized with support from Baselland, Basel-Stadt, Pro Helvetia, Royal Institute of Art; The Embassy of Switzerland in Stockholm, Parts of Hinrich Sachs Kami, Khoka, Bert and Ernie (World Heritage) are realized in collaboration with Askebyskolan Rinkeby, Livstycket

Katitzi: A Literary Character Rooted in Reality is realized in collaboration with Angelica Ström. The seminar series is realized in collaboration with ABF and the publishers, Natur och Kultur

Publishing In Process: Ownership In Question is realized with support by Iaspis, Konstfack. It is realised in the framework of COHAB, a two-year project initiated by The Showroom, Casco - Office for Art, Design and Theory, Utrecht and Tensta Konsthall, Stockholm, realized with the support of the Culture Programme of the European Union

T.451 by Dominique Gonzalez-Foerster and Ari Benjamin Meyers is realized in collaboration with Stockholm konst, who produced the project, and with support by Stockholm Library and Tensta Library; Thanks to Greater Stockholm Fire Department, The Organization Röda Hanen, The Kurdish Association Spånga, Stockholm City Museum

Tensta museum: Reports from New Sweden is funded with support from Svenska Postkodlotteriet and is also a part of Beginning as Well as We Can: How Much Fascism Can We Take, a collaboration between WHW, Zagreb, and Grazer Kunstverein, Graz. With the support from the Culture Programme of the European Union and the European Commission.

The Cut is realized with support by Kulturbryggan

The Fashion Project is realized in collaboration with the Center for Fashion Studies, Stockholm University

The New Model is realized with support by European Cultural Foundation, Goethe Institut, Office for Contemporary Art Norway, Kulturkontakt Nord; Parts of the New Model are realized in collaboration with The School of Architecture at The Royal Institute of Technology. It is realised in the framework of COHAB, a two-year project initiated by The Showroom, Casco - Office for Art, Design and Theory, Utrecht and Tensta Konsthall, Stockholm, realized with the support of the Culture Programme of the European Union

The Society Without Qualities is realized as part of The New Model which is realized with support by European Cultural Foundation, Goethe Institut, Office for Contemporary Art Norway, Kulturkontakt Nord and is realised in the framework of COHAB, a two-year project initiated by The Showroom, Casco - Office for Art, Design and Theory, Utrecht and Tensta Konsthall, realized with the support of the Culture Programme of the European Union. Thanks to Gallery Nicolai Wallner and Kulturkontakt Nord. Sharon Lockhart would like to thank neugerriemschneider, Berlin, Gladstone Gallery, New York and Brussels, and Blum & Poe, Los Angeles. Learning Site would like to thank The Swedish Arts Grants Committee and Danish Art Agency.

This Place is Every Place by Ane Hjort Guttu, is produced with the support of Norsk Filminstitutt, Tensta konsthall, Fritt Ord, Bildende Kunstneres Vederlagsfond and Akershus kunstsenter, Office for Contemporary Art Norway and Nordic Culture Point.

What does an art institution do?
 is realized in collaboration with Konstfack’s Master program Art in the Public Realm and Curatorlab; The project is supported by Iaspis

What Does Social Practice Do? is realized in collaboration with the KTH School of Architecture, KTH in Tensta and the Stockholm City Planning Office. In Collaboration with CuratorLab, Konstfack. Supported by FCT (Fundação para a Ciência e Tecnologia); IASPIS; Instituto Camões Stockholm; TAP airlines; Portuguese Embassy in Stockholm

Who Will Fund Conteporary Art? is realized in collaboration with Botkyrka konsthall, Konsthall C, Marabouparken och Mossutstllningar

Undoing Property? book release at Tensta konsthall. Editors: Marysia Lewandowska and Laurel Ptak, supported by the Polish Institute Stockholm.


 









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Asrin Haidari, Press Officer
asrin (at) tenstakonsthall.se
T: +46 8 36 07 63

Visit mynewsdesk for high resolution press images

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future

Frederick Kiesler early spring of 2015

11.2–2.5 2015 During the early spring of 2015, Tensta Konsthall, in collaboration with the Austrian Frederick and Lillian Kiesler Private Foundation in Vienna, will show the first exhibition in Sweden of Frederick Kiesler's genuinely transdisciplinary work. Frederick Kiesler (1890–1965) was an architect, artist, scenographer, pedagogue, theorist and - not least - a groundbreaking exhibition designer.more →

Tensta konsthall Text Prize

For the second year in a row Tensta konsthall is presenting a text prize for young people in Tensta. The prize aims to encourage creative writing and to contribute new stories from the area to the area itself. The jury is comprised of the August Prize winner Lena Andersson, poet Meron Mangasha, publisher Björn Linnell, journalist Rouzbeh Djalaie, Tal Lewinsky from Tensta Library, and Emily Fahlén from Tensta konsthall.more →

past

Art and Literature walk in Tensta

Thursday 30.10, 15:00–16:00 2014 Art and Literature walk in Tensta 
with Emily Fahlén and Tal LewinskyIn the Tensta subway, Helga Henschen conjures an image of the 70s using words like solidarity and sisterhood. When the poet Meron Mangasha makes a contemporary depiction of the same site, the metro's blue line becomes royal blood. On the adjacent Järvafältet the Taikon family once upon a time set up their camp in the childhood portrayal of the young Katitzi. Tensta emerges through a motley and interesting patchwork of literary and artistic narratives. Join us on an alternate walk through Tensta’s settlements, lookouts and public spaces. In collaboration with Tensta Library. The tour starts at Tensta Konsthall.more →

The New Model – A conversation between Gunilla Lundahl, Ane Hjort Guttu and Dave Hullfish Bailey

Wednesday 22.10, 18.30 2014 The New Model – A conversation between Gunilla Lundahl, Ane Hjort Guttu and Dave Hullfish Bailey. Ane Hjort Guttu's film This Place is Every Place and Dave Hullfish Bailey's installation School Section have both been developed within the investigative project The New Model.more →

The Paths to the Common(s) are Infinite

11.6-28.9 2014 The Paths to the Common(s) are Infinite is an attempt by the New York-based artists Ayreen Anastas and Rene Gabri to situate and share various inquiries, experiences, and material traces of encounters, which have brought them to questions of the common(s).more →

The Miracle in Tensta (Theoria)

11.6–28.9 2014 Magnus Bärtås' new film, The Miracle in Tensta (Theoria) is a wayward depiction of how the Virgin Mary appeared in Tensta in the summer of 2012, based on testimonies on the internet. With the help of Tensta residents, the testimonies have been visualized and shot in the same room in the gallery where the film will be shown. A part of The New Model.more →

META and regina: Two (Magazine) Sisters in Crime

11.6–28.9 2014 Archive exhibition. META and regina: Two (Magazine) Sisters in Crime. META and regina are both magazines founded independently in the 1990’s by two female cultural producers. Using their first names as titles of the magazines they made a public statement as a tool of institutional critique on normative concepts within the art system at the time. Although distinguished by their unusual characters and strategies, the two magazines - META and regina - share a common feminist position and subversive approach that make them 'sisters in crime'.more →

A conversation with Ayreen Anastas & Rene Gabri

Sunday 28.9, 17:30 2014 Something about the deteriorating conditions of the world and of art – A conversation with Ayreen Anastas & Rene Gabri. The artists will begin the conversation by discussing the work of Gulf Labor, a coalition of artists who have been, since 2010, struggling to improve the conditions, rights and compensation for the thousands of migrant workers who are building a host of Western cultural institutions including the Guggenheim Museum, the Louvre, the British Museum and New York University on Saadiyat Island in Abu Dhabi, UAE.more →

Book release Cluster: Dialectionary

Wednesday 17.9, 18:30 Book release Cluster: Dialectionary 
with presentation by Andrea Phillips, Professor of Fine Arts and Director of PhD Programmes at the Art Department of Goldsmiths in London, titled Arts Management: Reversing the cultural value paradigm. Cluster is a network of eight internationally operating contemporary visual art organisations, each situated in a residential area on the periphery of a major European cities (plus one in Holon, an industrial zone outside of Tel Aviv). Cluster: Dialectionary is a publication that aims to find new ways to position both the institutions’ work and the work that characterises contemporary art institutions in general. In English.more →

Microhistories with Magnus Bärtås

Wednesday 10.9, 18:30 Microhistories. Magnus Bärtås invites Lena Séraphin, Suzana Milevska and Michelle Teran.more →

Swedish with baby

Wednesdays 10:30–11:30 2013–2014 Every Wednesday ”Swedish with baby” (Svenska med baby) gets together in the Tensta konsthall cafeteria, as a part of the non-profit work of ”International Acquaintances” (Internationella bekantskaper). The aim is to create a social meeting place for parents to exchange experiences and at the same practice speaking Swedish. Meetings have been taking place since September of this year.more →

Drawing Tuesday

2013–2014 Drawing Tuesday is an art club during the semester for children between the age of 10 and 13. Under the direction of mediators at Tensta konsthall the children meet every Tuesday between 15:00 and 16:00 for a drawing workshop with different themes. Participants get the chance to draw and work artistically. Drop-in for interested children. In collaboration with Enbacksskolan.more →

bag


Rapport: Inga undantag
Mikael Löfgren
Inga undantag är namnet på en ny rapport författad av Mikael Löfgren, och framtagen av Klister, ett rikstäckande nätverk för små och medelstora samtidskonsthallar i Sverige. I rapporten argumenterar Löfgren för att de krav på mätbarhet och omedelbara siffror som kännetecknar vår tids kulturdiskurs inte lämpar sig för att utvärdera det arbete som bedrivs på landets mindre konstinstitutioner. Löfgren menar att det som framför allt kännetecknar konsthallarnas arbete är deras förmåga att etablera fungerande nätverk, både lokalt, regionalt, nationellt och globalt.more →

The Paths to the Common(s) Are Infinite
Tensta konsthall
11.6–28.9 2014 The Paths to the Common(s) Are Infinite utgår från de New York-baserade konstnärerna Ayreen Anastas och Rene Gabris frågeställningar och formuleringar kring begreppet the common(s) och utgörs av olika undersökningar, erfarenheter och materiella spår av möten. Med commons (allmänningar) har man historiskt sett avsett delat ägande och nyttjande av land och vatten, som t ex i medeltida England, men idag har begreppet vidgats avsevärt för att innefatta även kultursfären, programvara och allmännyttans grundskola, sjukvård och infrastruktur. Konstnärerna finner otaliga exempel på Commoning (att "göra det gemensamma") och en strävan efter the Common(s) i vår tid av  privatiseringar och ekonomiska nedskärningar.more →

The Paths to the Common(s) are Infinite
Tensta Konsthall
11.6-28.9 2014 The Paths to the Common(s) are Infinite is an attempt by the New York-based artists Ayreen Anastas and Rene Gabri to situate and share various inquiries, experiences, and material traces of encounters, which have brought them to questions of the common(s). The commons have historically referred to shared ownership and care of land and water, for example in Medieval England, but what is commonly held today is much wider encompassing the cultural sphere, software, and public goods such as public education, health care, and infrastructure. For the artists, the practices of commoning and struggles for common(s) in an ever more privatized and economized existence are everywhere today.more →

Miraklet i Tensta (Theoria)
Tensta konsthall
11.6–28.9 2014 Magnus Bärtås nya film Miraklet i Tensta (Theoria) är en egensinnig skildring av hur Jungfru Maria uppenbarade sig i Tensta sommaren 2012, baserad på vittnesmål från internet. Med hjälp av boende i Tensta har vittnesmålen gestaltats och filmats i samma rum på konsthallen där filmen kommer att visas. Del av Den nya modellen.more →

The Miracle in Tensta (Theoria)
Tensta Konsthall
11.6–28.9 2014 Magnus Bärtås' new film, The Miracle in Tensta (Theoria) is a wayward depiction of how the Virgin Mary appeared in Tensta in the summer of 2012, based on testimonies on the internet. With the help of Tensta residents, the testimonies have been visualized and shot in the same room in the gallery where the film will be shown. A part of The New Model.more →

META och regina: Två tidskrifter i systerskap
Tensta konsthall
11.6–28.9 2014 Arkivutställning. META och regina är två tidskrifter som grundades oberoende av varandra på 1990-talet av två kulturproducenter. Båda använde sitt förnamn som titel på tidningen och därmed hade de skapat sig varsitt verktyg för att nå ut till allmänheten med en institutionskritisk hållning till rådande normer i tidens konstvärld. De två tidningarna har olika karaktär och arbetar utifrån var sin strategi men utgår båda från ett feministisk perspektiv.??more →

META and regina: Two (Magazine) Sisters in Crime
Tensta Konsthall
11.6–28.9 2014 Archive exhibition. META and regina: Two (Magazine) Sisters in Crime. META and regina are both magazines founded independently in the 1990’s by two female cultural producers. Using their first names as titles of the magazines they made a public statement as a tool of institutional critique on normative concepts within the art system at the time. Although distinguished by their unusual characters and strategies, the two magazines - META and regina - share a common feminist position and subversive approach that make them 'sisters in crime'.more →

Tensta museum: Fortsättning
Tensta konsthall
11.6–28.9 Tensta museum: Rapporter från nya Sverige handlar om historia och minne i Tensta, i förhållande till platsen och till människor som bor och verkar här. Efter Tensta museums höstavdelning (26.10 2013–13.1 2014) och våravdelning (18.1–18.5 2014) samt filialer under samma period på Stockholms Stadsmuseum och Stockholms Medeltidsmuseum fortsätter nu ortens eget museum i form av Salong Tensta, ett klassrum för svenskalektioner, originalritningar av Tenstas planarkitekt Igor Dergalin, affischer av konstnären Jakob Kolding, konst- och litteraturvandringar och seminarier. På onlineplattformen Space presenterar Beiruts Arab Image Foundation Rifat Chadirji Collection med fotografier av senmodernistisk arkitektur och människor i det offentliga rummet i Irak under perioden ca 1950–75. Medborgare till medborgare, en mötesplats för nyanlända som behöver stöd och kunskap om samhället i Sverige, äger rum varje tisdag. Genom The Silent University arrangeras språkcafé.more →

Tensta Museum Continues
Tensta Konsthall
11.6–28.9 Tensta Museum: Reports from New Sweden is about history and memory in Tensta, both in relation to the place and to the people who live and work here. After Tensta Museum Fall Department (26.10 2013–13.1 2014) and Spring Department (18.1–18.5 2014) as well as branches in the same period at the Stockholm City Museum, and Museum of Medieval Stockholm, the suburbs own Museum is now continuing in the form of Salon Tensta, a classroom for Swedish lessons, original drawings of Tensta by architect Igor Dergalin, posters by artist Jakob Kolding, an Arts and Literature walk in Tensta and seminars. The online platform Space and Beirut’s Arab Image Foundation present Rifat Chadirji’s Collection of photographs with late modernist architecture and people in public space in Iraq from the period around 1950–75. Citizen to Citizen, a venue for newcomers who need support and knowledge of the community in Sweden takes place every Thuesday and a language café is organized through The Silent University.more →

Rifat Chadirji’s work: building modern Iraqi identity and hadara
Caecilia Pieri
Rifat Chadirji is considered to be one of the major 20th century Iraqi architects, not only through his realizations but also through the considerable bulk of his work in the fields of architectural practice, theory, teaching and photography. The text was first published in Modern Heritage Observer, Beirut (2013). more →

Doing the Dirty Work?: The Global Politics of Domestic Labour (2000)
Editor: Bridget Jane Anderson
Pages 1-27. There has been a tendency amongst feminists to see domestic work as the great leveller, a common burden imposed on all women equally by patriarchy. This unique study of migrant domestic workers in the North uncovers some uncomfortable facts about the race and class aspects of domestic oppression. Based on original research, it looks at the racialisation of paid domestic labour in the North - a phenomenon which challenges feminsim and political theory at a fundamental level.more →

At home: An Anthropology of Domestic Space (1999)
Editor: Irene Cieraadred
In a volume that brings together a wide range of disciplines - art history, sociology, architecture, cultural anthropology, and environmental psychology -, Irene Cieraad presents a collection of articles that focuses on the practices and symbolism of domestic space in Western society. These essays go beyond the discussion of conventional issues such as aesthetics and social standing. 'At home' takes an in-depth anthropological look at how different cultures use their homes as a visual model of the culture's social structure.more →

Våravdelningen Tensta museum: Rapporter från nya Sverige
Tensta konsthall
18.1 2014–18.5 2014 Tensta museum: Rapporter från nya Sverige handlar om historia och minne ?i Tensta, både i förhållande till platsen och till de människor som bor och ?verkar här. Ett fyrtiotal konstnärer, arkitekter, lokala föreningar, artister, sociologer, kulturgeografer, filosofer och andra berör det förflutna i konstverk, forskningsprojekt, seminarier, vandringar mm. Samtidigt rapporterar de också? om sakernas tillstånd i Tensta idag, om det som på många sätt kan beskrivas?som det nya Sverige. Ett Sverige som visserligen inte är helt nytt men som det är nödvändigt att acceptera som annorlunda än för några decennier sedan. Ett land där människor har vitt skilda bakgrunder och där ekonomiska och sociala skillnader ökar påtagligt – enligt en ny rapport?från OECD växer inkomstklyftorna i Sverige snabbast bland de trettiofyra medlemsländerna. Några av de inbjudna deltagarna kommer också att peka framåt och föreslå framtida scenarier.more →

Spring Department Tensta Museum: Reports from New Sweden
Tensta konsthall
18.1 2014–18.5 2014 Tensta Museum: Reports from New Sweden is about the history and memories of Tensta, both in relation to the place and to the people who live and work there. Some forty artists, architects, local associations, performers, sociologists, cultural geographers, philosophers, and others address the past in, for example, art works, research projects, seminars, and guided walks. At the same time they will be reporting on the condition of things in Tensta today, on what can be described as the “new Sweden.” This is a Sweden containing people of widely different backgrounds, where economic and social differences are palpably intensifying: according to a new OECD report, income gaps in Sweden are increasing the most rapidly of any of the 34 member states. In their contributions to Tensta Museum, some of the invited participants will also be looking forward and proposing future scenarios.more →

Vad gör konstförmedlingen?
Tensta konsthall
Vår 2014. En av de stora frågorna i samtidskonsten är hur konsten förmedlas, på vilket sätt publiken kan möta konsten och ta del ?av den. Förmedling innefattar alltså presentation och kommunikation om och utifrån konst i bred bemärkelse. Vad gör konstförmedlingen? är en seminarieserie på Tensta konsthall under våren 2014. I samarbete med Institutionen för bildpedagogik och Curatorlab, Konstfack.more →

What Does Art Mediation Do?
Tensta Konsthall
Spring 2014. One of the biggest issues in contemporary art is how art is mediated—in what way the audience can meet art and take part of it. How art goes public. Hence, mediation includes presentation and communication about and based on art in a wider sense. What Does Art Mediation Do? is a series of seminars at Tensta Konsthall during the spring of 2014. In collaboration with the Department of Visual Arts Education and Curatorlab, Konstfack.more →

Haunted by Shadows of the Future: ARTEFACTS
STEALTH.unlimited & Peter Lang
Haunted by Shadows of the Future: ARTEFACTS identifierar föremål från slutet av 1960-talet till slutet av 1970-talet som har ett personligt eller familjärt samband med
människorna och samhället under denna tid, och som innefattar en särskild känsla av tillhörighet, en önskan att vara en del av det moderna svenska samhälle som tog form vid den tiden. Resultatet av detta kollektiva sökande är en samling artefakter, företeelser och föremål i hemmet, sammanflätade med rika personliga berättelser och upptäckter.

Haunted by Shadows of the Future: ARTEFACTS identifies objects from the late 1960’s to late 1970’s that have personal or familial relationship with the people and the communities who lived during this era, and that embody a specific sense of belonging, a desire of being part of the modern Swedish society taking shape at that time. The result of this collective search is an assembly of artefacts, customs and domestic tropes, intertwined with rich personal stories and discoveries.
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Swedish Grand Domestic Revolution Guide
Casco – Office for Art, Design Theory
The Grand Domestic Revolution (Hemmets stora revolution) (GDR) a?r ett pa?ga?ende “levande” forskningsprojekt startat av Casco – Office for Art, Design Theory i Utrecht. Projektet startade som ett la?genhets-residency i Utrecht som pa?gick fra?n oktober 2009 till oktober 2011, och fortsatte som utsta?llning pa? flera platser under 2011-2012. Projektet fortsa?tter nu genom Cascos program, den internationella turne?n GDR Goes On (GDR fortsa?tter), som hittills har rest fra?n The Showroom i London, Center for Contemporary Arts Derry i Derry, och till City of Women Festival i Ljubljana. Dessutom har olika samarbeten startat under projektets ga?ng.more →

English Grand Domestic Revolution Guide
Casco – Office for Art, Design Theory
The Grand Domestic Revolution (GDR) is an ongoing “living research” project initiated by Casco – Office for Art, Design and Theory, Utrecht, the Netherlands as a multi-faceted exploration of the domestic sphere to imagine new forms of living and working in common. It was set up through an apartment residency in Utrecht from October 2009 to October 2011, and manifest in a multi-venue exhibition from 2011 through 2012. Since then it continues on through the Casco’s program and the international tour GDR GOES ON, which has so far traveled to The Showroom, London, Center for Contemporary Arts Derry, Derry, and the City of Women Festival, Ljubljana, forming new alliances with different local communities along the way.more →

Tensta konsthalls historia
Jan Ekman
Tensta Konsthall blev efter o?ppningen 1998 snabbt omtalad fo?r sitt dja?rva, na?stan framfusiga konstprogram. Grundarnas mod la?g inte enbart i deras ho?gkvalitativa utsta?llningsprogram som utmanade institutioner med la?ngt sto?rre ekonomiska resurser. De var ocksa? modiga nog att placera utsta?llningsrummet la?ngt bortom de etablerade konststra?ken. Konsthallen a?r inrymd i en outnyttjad lagerlokal under ett anspra?kslo?st ko?pcentrum i Stockholmsfo?rorten Tensta, ett omra?de vars befolkning idag na?rmar sig 20.000 personer varav ca 90% har translokal bakgrund.more →

Cultural Heritage: The Context of an Obsession
Boris Buden
Boris Buden about the purpose of cultural heritage from a post-colonial perspective.more →

Josabet Sjöberg
Lawen Mohtadi
Josabeth Sjöberg var självlärd. Hon saknade formell utbildning. Men hon hade en tydlig konstnärlig tanke. De målningar som idag finns bevarade - 59 stycken, varav 57 finns på Stockholms stadsmuseum - kan delas in i fyra kategorier. Hennes 12 bostäder på Södermalm. Gatulivet på Södermalm, ofta sett från fönstret i hennes bostad. Institutioner som hus för äldre och sjuka. Kyrkorum. I bostadsbilderna sitter hon ofta med handarbete vid fönstret, vänd mot ljuset och gatan.
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Tensta -En plats som ständigt ska bli bättre
Emma Holmqvist
Utbyggnaden av bostadsomra?det Tensta 1967-71 ingick i det mest ambitio?sa bostadsbyggnadsprojekt som genomfo?rts i Sverige, det sa? kallade Miljonprogrammet. Pa? grund av den ra?dande bostadsbristen besta?mde staten att en miljon nya bosta?der skulle byggas under en tioa?rsperiod (Sax, 2000). En sa?dan stor volym har aldrig uppna?tts sedan dess i Sverige. more →

Tensta museum: Rapporter från nya Sverige
Tensta konsthall
Tensta museum: Rapporter från nya Sverige handlar om historia och minne i Tensta, både i förhållande till platsen och till de människor som bor och verkar där. Ett fyrtiotal konstnärer, arkitekter, lokala föreningar, artister, sociologer, kulturgeografer, filosofer och andra berör det förflutna i konstverk, forskningsprojekt, seminarier, vandringar mm. Samtidigt rapporterar de också om sakernas tillstånd i Tensta idag, om det som på många sätt kan beskrivas som det nya Sverige. Ett Sverige där människor har vitt skilda bakgrunder och där ekonomiska och sociala skillnader ökar påtagligt – enligt en ny rapport från OECD växer inkomstklyftorna i Sverige snabbast bland de 34 medlemsländerna. Några av de inbjudna deltagarna kommer också att peka framåt och föreslå framtida scenarier.

more →

Tensta Museum: Reports from New Sweden
Tensta konsthall
Tensta Museum: Reports from New Sweden is about the history and memories of Tensta, both in relation to the place and to the people who live and work there. Some forty artists, architects, local associations, performers, sociologists, cultural geographers, philosophers, and others address the past in, for example, art works, research projects, seminars, and guided walks. At the same time they will be reporting on the condition of things in Tensta today, on what can be described as the “new Sweden.” This is a Sweden containing people of widely different backgrounds, where economic and social differences are palpably intensifying: according to a new OECD report, income gaps in Sweden are increasing the most rapidly of any of the 34 member states. In their contributions to Tensta Museum, some of the invited participants will also be looking forward and proposing future scenarios.more →

Vart tog hon vägen? Stockholm Music & Arts 2-4 augusti 2013
Tensta konsthall
Samtidskonsten på Stockholm Music & Arts 2-4 augusti 2013 ??
På Skeppsholmen

Koreografi utan dansare, ett varumärke där en världskänd tennisspelare försvunnit ur bilden och en installation som liknar ett övergivet hem. Årets bildkonstprogram på Stockholm Music & Arts handlar om människans frånvaro, om det som ligger bortom henne. Dit räknas alla ting men även naturen i sig. Det innebär också storskaligt måleri där naturens egna krafter ger form åt bilderna och den ananasdoftande jättenäckrosen i en spektakulär performance blommar inför publikens ögon. Den blommar under två nätter, den första natten är kronbladen vita, och den andra rosa. En filmfestival tillägnad den legendariske naturtevemakaren Jan Lindblad ingår också i bildkonstprogrammet.

??För andra året i rad curerar Tensta konsthall bildkonstprogrammet på Stockholm Music & Arts. De flesta typer av musikframträdanden bygger på att människor finns på plats. Artisterna och musikerna - deras närvaro - är det viktigaste på varje spelning där publikens kroppar också ingår i den fysiska ekvationen. Levande musik är i den bemärkelsen extremt människofixerad. Inom konsten och filosofin har man under de senaste åren intresserat sig alltmer för metoder och teorier där det inte är människorna som står i centrum utan objekten och deras omständigheter. Människan ses inte längre som den viktigaste existensen. Istället blir saker, dit allt från verktyg och radiovågor till EU och önskningar räknas, det centrala. De här tankeströmningarna går växelvis under namnet spekulativ realism och objektsrelaterad filosofi. Mot den bakgrunden frågar vi: Vart tog hon vägen?
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Where Did She Go? Stockholm Music & Arts 2-4 August 2013
Tensta konsthall
The contemporary art at Stockholm Music & Arts 2-4 August 2013 At Skeppsholmen

Choreography without dancers, a trademark where a world renowned tennis player disappeared out of the picture, and an installation that resembles an abandoned home. This year's visual arts program at the Stockholm Music & Arts is about human absence, about what is beyond her. This includes all things but even nature itself. It also results in large-scale paintings where nature's forces give shape to the images, and a spectacular performance, staging the pineapple-scented Giant Water Lily in full bloom in front of the audience's eyes. It blooms for two nights; the first night is the petals white, and the other pink. A film festival dedicated to the legendary naturtevemakaren Jan Lindblad is also part of the visual arts program.   

For the second year in a row, Tensta konsthall curates the visual arts program at the Stockholm Music & Arts. Most types of musical performances are based on the precence of humans. The artists and musicians – their presence – is the key to every concert, and the audience's bodies also take part in the physical equation. Live music is in this sense extremely fixed on the human subject. Art and philosophy have in recent years become more focused on methods and theories in which people are less important than objects and their circumstances. Man is no longer seen as the most important existence. Instead, things, including everything from tools and radio waves to the EU, become central. These current streams of thought are alternately called speculative realism and object-related philosophy. Against this background, we ask: Where did she go?? 
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Iman Issa 13.6—29.9 2013
Tensta konsthall
Iman Issas (Kairo/New York) installationer talar till minnena och?vår förmåga att göra associationer. I Trettiotre berättelser om rimliga karaktärer på bekanta platser möter vi glimtar från en utflykt till en djurpark, en iakttagelse på ett universitet, ett fragment av en familjs semestertraditioner – relationer och vardagliga händelser beskrivna med några få adjektiv, namn och andra detaljer. I Vanliga inslag är det meningar ur arabiska intellektuellas självbiografier, bl a Nawal El Saadawis och Edward Saids, som kopplar ihop det personliga med det allmängiltiga. I verket Revolutionären är det istället runt det ordets många betydelser som berättelesen vävs.
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Iman Issa 13.6—29.9 2013
Tensta Konsthall
Iman Issa’s (Cairo/New York) installations speak to our memories and our ability to make associations. In Thirty-three Stories about Reasonable Characters in Familiar Places we get glimpses from a trip to the zoo, an observation from a campus, a fragment of a family’s vacation traditions – relationships and everyday events described with barely any adjective, names or other details. In Common Elements it is familiar text from several intellectuals’ autobiographies, like Nawal El Saadawi and Edward Said among others, that connects the personal with shared, lived experience. The audio piece The Revolutionary weaves a story around the multiple meanings of the word ”revolutionary”.
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Bernd Krauss, Vi fortsätter BBDG 13.6—29.9 2013
Tensta konsthall
En teatralisk och hemsnickrad tennis-boutique som bygger på boken Sanningen - Mina år med Björn Borg av Lars Skarke (1993) är inledningen till Bernd Krauss projekt Vi fortsätter BBDG. Här finns gott om begagnade Björn Borg-kläder men inga underkäder - bara de plagg som inte längre är i produktion får ingå. Installationen väcker till liv historien om hur den kända tennisspelarens namn under titeln Björn Borg Design Group blev till ett välkänt varumärke.
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Bernd Krauss, We Are Continuing BBDG 13.6—29.9 2013
Tensta Konsthall
A flamboyant and homemade tennis boutique, based on the book The Truth - My Years With Björn Borg by Lars Skarke (1993), functions as an introduction to Bernd Krauss’ project We Are Continuing BBDG. In the installation there are a range of used Björn Borg clothes, but no underwear—only the clothes that are no longer in production may be included in the show. The installation brings to life the story of how the famous tennis player’s name, under the title of Björn Borg Design Group, became a well-known brand. more →

Reverberation: A film portrait of Megafonen by Behzad Khosravi Noori and René León Rosales
Tensta Konsthall 13.6–29.9 2013
In the 30 minute long documentary Reverberation (2012), the artist Behzad Khosravi Noori (Teheran/Stockholm) and the ethnologist René León Rosales (Stockholm) follow some of the members of Megafonen on a trip to Gothenburg. Megafonen is an organization that works for social justice and the rehabilitation of the Swedish suburbs. During the trip many questions are asked regarding the processes of segregation and integration in Sweden today. more →

Genklang: ett filmporträtt av Megafonen av Behzad Khosravi Noori och Rene León Rosales
Tensta Konsthall 13.6–29.9 2013
I den trettio minuter långa dokumentären Genklang (2012) följer konstnären Behzad Khosravi Noori (Teheran/Stockholm) och etnologen Rene León Rosales (Stockholm) några av Megafonens medlemmar på en resa till Göteborg. Megafonen a?r en organisation som arbetar för social rättvisa och upprustning av Sveriges förorter. Under resan till Göteborg ställs många frågor om processer för segregation och integration i dagens Sverige. more →

Zak Kyes Working With...
Tensta Konsthall 13.6–29.9 2013
Zak Kyes Working With..., brings together a range of works by graphic designer Zak Kyes, as well as works by several of his collaborators—including architects, artists, writers, curators, editors, and other graphic designers—commissioned specifically for the exhibition. The new works all have a special - structural - role in the making of the exhibition, such as the exhibition display, object captions, exhibition poster, audio guide, workshop, lecture, archive, and publication. This way Kyes and his collaborators explore how graphic design today is a practice that both mediates and is mediated by its allied disciplines.more →

Zak Kyes Working With...
Tensta konsthall 13.6–29.9 2013
Zak Kyes Working With... fo?r samman en rad av den grafiska formgivaren Zak Kyes’ egna verk med arbeten av personer som han samarbetat med. Det handlar om arkitekter, konstna?rer, fo?rfatttare, curatorer, fo?rla?ggare och andra grafiska formgivare som har gjort nya verk specifikt fo?r utsta?llningen. De nya verken har alla haft en sa?rskild – strukturell
- funktion i arbetet info?r utsta?llningen: tex utsta?llningsarkitekturen, verkstexter, utsta?llningsaffisch, audioguide, workshop, fo?rela?sningar, arkiv och katalog. Pa? sa? vis underso?ker Kyes och hans samarbetspartners dagens grafiska formgivning som en praktik som ba?de fo?rmedlar och fo?rmedlas av besla?ktade discipliner.
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Undoing Property?
Edited by Marysia Lewandowska, Laurel Ptak
With contributions by Agency, David Berry, Nils Bohlin, Sean Dockray, Rasmus Fleischer, Antonia Hirsch, David Horvitz, Mattin, Open Music Archive, Matteo Pasquinelli, Claire Pentecost, Florian Schneider, Matthew Stadler, Marilyn Strathern, Kuba Szreder and Marina Vishmidt. Preface by Binna Choi, Maria Lind, Emily Pethick. Design by Konst & Teknik.

Undoing Property? examines complex relationships inside art, culture, political economy, immaterial production, and the public realm today. In its pages artists and theorists address aspects of computing, curating, economy, ecology, gentrification, music, publishing, piracy, and much more.

Property shapes all social relations. Its invisible lines force separations and create power relations felt through the unequal distribution of what is otherwise collectively produced value. Over the last few years the precise question of what should be privately owned and public­ly shared in society has animated intense political struggles and social movements around the world. In this shadow the publication’s critical texts, interviews and artistic interventions offer models of practice and interrogate diverse sites, from the body, to the courtroom, to the server, to the museum. The book asks why propertization itself has changed so fundamentally over the last few decades and what might be done to challenge it. The "undoing" of Undoing Property? begins with the recognition that something else is possible.

Published by Sternberg Press and Tensta konsthall, June 2013.
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Vad hände med strejkkonsten? Ett konstprojekt av Ingela Johansson (2010-)
Tensta konsthall
14.3–26.5 2013 Utgångspunkten för konstnären Ingela Johanssons projekt är den vilda strejk som utbröt i december 1969 i malmfälten i Norrbotten. strejken spred sig från Kiruna till Svappavaara och Malmberget och efter några dagar hade ca 5000 gruvarbetare lagt ner arbetet. Genom FNL-grupperna, och andra politiska grupperingar kom många kulturarbetare att solidarisera sig med gruvarbetarna, och engagera sig i deras situation. Projektet rymmer olika undersökningar av strejken och de materialiseras på skilda sätt. En del består av visandet av Gruvarbetarnas strejkkonstsamling, en konstsamling som kom till under strejken som stöd till strejkkassan, till vilken cirka åttio konstnärer skänkte verk.more →

What happened with the art of the strike? An art project by Ingela Johansson
Tensta Konsthall
14.3-26.5 2013 The point of departure for this project is the wild strike which broke out in December, 1969 in the iron ore fields in Norrbotten, Sweden. The strike spread and after a few days involved some 5000 miners. Through local political groups, many people working in culture expressed solidarity with the miners and engaged themselves in the situation. Johansson’s project encompasses an exhibition of art that was collected during the strike in support of the strike fund, archival material, a series of photographs and dramatizations based on strike documents.more →

Göra som man vill: Marie-Louise Ekman i sällskap med Sister Corita Kent, Mladen Stilinovic och Martha Wilson
Tensta konsthall
18.10 2012–13.1 2013 Göra som man vill fokuserar på Marie-Louise Ekmans verk från sent 1960-tal till sent 1980-tal och inkluderar på samma gång arbeten från samma period av Sister Corita av Kent, Mladen Stilinovic och Martha Wilson. För första gången i Sverige presenteras nu Ekmans tidiga verk tillsammans med samtida utomsvenska konstnärer vars intressen och arbetssätt är besläktade med hennes.more →

Doing what you want: Marie-Louise Ekman accompanied by Sister Corita Kent, Mladen Stilinovic and Martha Wilson
Tensta Konsthall
18.10 2012 –13.1 2013 Doing what you want focuses on Marie-Louise Ekman’s work from the late-1960s to the late-1980s and also includes work from the same period by Sister Corita of Kent, Mladen Stilinovic and Martha Wilson. For the first time in Sweden, Tensta konsthall will present Ekman’s early work together with contemporary non-Swedish artists with kindred interests and spirits.more →

Katitzis resa genom Sverige
Tensta konsthall
25.10 2012–27.1 2013 Utställningen handlar om Katarina Taikons självbiografiska romanfigur Katitzi som är huvudpersonen i tretton böcker och åtta seriealbum publicerade 1969-1982. Den lyfter fram och diskuterar en unik flickkaraktär, vars romska bakgrund är central i berättelsen, från barn- och ungdomslitteraturens värld. Utställningen består av originalutgåvor av böcker, serietidningar och album samt illustrationer, artiklar, recensioner, TV-inspelningar, fotografi och annat arkivmaterial.more →

Katitzi: A Literary Character Rooted in Reality
Tensta konsthall
9.10–5.12 2013 The exhibition Katitzi - A Literary Character Rooted in Reality, was first shown at Tensta konsthall in 2012 and will now be on view at Gallery8, the contemporary art space of the European Roma Cultural Foundation in Budapest.??The exhibition deals with Katarina Taikon’s (1932-1995) autobiographical figure Katitzi, who is the main character of thirteen books and eight comics published from 1969 to 1982. The exhibition consists of original editions of books, comic books and albums, as well as illustrations by Björn Hedlund, articles, reviews, TV recordings, photography, and other archival materials.more →

Art Work: A National Conversation About Art, Labor and Economics
Edited by Temporary Services
"Art Work is a newspaper that consists of writings and images from artists, activists, writers, critics, and others on the topic of working within depressed economies and how that impacts artistic process, compensation and artistic property. We can see how the collapse of the economy is affecting everyone. Something must be done. Let's talk. No, it can't wait. Things are bad. We have to work things out. We can only do it together. What do we know? What have others tried? What is possible? How do we talk about it? What are the wildest possibilities? What are the pragmatic steps? What can you do? What can we do?" Published by Half Letter Press, November 2009. FREE. Take a copy. Make an exhibition. Host a discussion in your town. www.artandwork.us.more →

Art and Contemporary Critical Practice: Reinventing Institutional Critique
Edited by Gerald Raunig & Gene Ray
"Institutional critique' is best known through the critical practice that developed in the late 1960s and early 1970s by artists who presented radical challenges to the museum and gallery system. Since then it has been pushed in new directions by new generations of artists registering and responding to the global transformations of contemporary life. Interrogating the shifting relations between 'institutions' and 'critique' these essays reflect on the mutual enrichments between critical art practices and social movements and elaborate the conditions for politicized critical practice in the twenty-first century." Published by MayFlyBooks, 2009. Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported.more →

Speak, Memory: on archives and other strategies of (re)activation of cultural memory
Edited by Laura Carderera
Exploring ways of recovering a vanishing history of the Middle East's neglected 20th-century cultural and artistic movements, this book is a synthesis and a further exploration into questions raised during the "Speak, Memory" symposium that took place at the Townhouse Gallery in Cairo on October 28-30, 2010. www.speakmemory.org. With contributions by Kaelen Wilson-Goldie, Hussein Omar, Rasha Salti and Kristine Khouri, Miguel A. López , Claire Hsu, the Editors of Bidoun, Adam Broomberg and Oliver Chanarin, Jesús Carrillo and Mai Elwakil.more →

When the Carrot Becomes a Stick: On Recent Trends in Free Labour Economy
The Carrot Workers Collective
The Carrot Workers Collective on interns, workfare, free labour and higher education, British cuts to the art and humanities. Presented as part of the Second Congress of the Free University of Warsaw, December 2010: Creative Industries and Knowledge Factories: Analysis and Resistance.more →

Autonomy Project Newspaper #2 Frameworks
Autonomy Project
"We are living in remarkable times. Our globalised neo-liberal economy has nearly bankrupted itself and we are all now footing the bill. Europe is refragmenting. America's power is waning. Asia's power is waxing and the 'War on Terror' has turned into a pandemic of ideological attrition. It seems highly unlikely that anybody looking back at this moment from some time in the future will even begin to remember the art. That is, of course, unless we do something about it." With contributions by: John Byrne, Charles Esche, Emilio Moreno, Paul Sullivan, Sarah Pierce, Brian Holmes, Steven Ten Thije, Marijke Goeting, Jennifer Smailes, Joanne McClellan, Joana Ozorio de Almeida Meroz, Clare Butcher, Kerstin Niemann, Sean Harvey, Hannah Pierce. Published by Autonomy Project and Onomatopee, 2011. Creative Commons Attribution-Noncommercial-Share Alike 3.0 Dutch License. www.theautonomyproject.ning.com.more →

Amateurist Network
Edited by Shama Khanna, Caroline Stevenson
Amateurist Network (AN) operates through a series of public meetings with the stated aim of promoting open and critical discussion around the economics of creative practice and cultural production. By examining the position of the artist or cultural worker within precarious and informal working practices the AN aims to define self-organisation through its ability to produce a site of learning rather than by self-reliance. Sharing ideas and experience in this way, the AN hopes to validate self-organisational strategies and strengthen networks within the arts community. www.amateuristnetwork.wordpress.commore →

Konstprogrammet på Stockholm Music & Arts
Tensta konsthall
Tensta konsthall curerar konstprogrammet på Stockholm Music & Arts  3-5.8 2012 på Skeppsholmen, Stockholm. Övriga konstnärer är Lawrence Abu Hamdan (London), Meric Algün Ringborg (Istanbul/Stockholm), Ursula Biemann (Zürich), Marie-Louise Ekman (Stockholm), Giorgio Giusti (Stockholm), Tamara Henderson (Sackville/Stockholm), Hassan Khan (Kairo), Cecilia Nygren (Stockholm), Lisl Ponger (Wien), Public Movement (Tel Aviv), Emily Roysdon (New York/Stockholm), Disa Rytt (Stockholm), Hinrich Sachs (Osnabrück/Basel/Stockholm) och Marika Troili (Stockholm).more →

Open Letter to Labor Servicing the Culture Industry
Arts & Labor
Why is working in the realms of 'culture' and academia so undervalued? Not only by the institutions that hire, but also by the good, committed workers themselves who will step on each other for the next available job? www.artsandlabor.orgmore →

The Sadness of Post-Workerism
David Graeber
"On the 19th of January 2008, several of the heavyweights of Italian post-Workerist theory--Toni Negri, Bifo Berardi, Maurizio Lazzarato, and Judith Revel--appeared at the Tate Modern to talk about art. This is a review..."more →

To Have And To Need Manifesto
Haben und Brauchen
"Haben und Brauchen seek to be advocates in the field of art as well as in art's neighboring occupational fields with a platform for discussion and action. In our opinion, with regard to its social and economic structure, Berlin is still an exception among other cities worldwide. Within the city's historically determined heterogeneity and intermixture of social diversity lies a potential for the future, not a phased-out model from the past. With that said, it is imperative to establish a consciousness and self-concept concerning what distinguishes the forms of artistic production and articulation that have unfolded in Berlin during recent decades and how these forms can be preserved and further developed." Published by Haben und Brachen, Berlin, January 2012.more →

...ment #3 Frag...ment (On Authorship)
Erica Baum, Gavin Brown, Federica Bueti, Federico Campagna, Övül Dormusoglu, Freee, Marc Garrett, Pedro Neves-Marques, Joseph Redwood-Martinez, Vanessa Place, Jan Verwoert, Caleb Waldorf
"Issue 3 of ...ment investigates current debates and practices surrounding the concept of authorship and the possible modes of resistance attached to it. Looking at broad topics such as intellectual property, collectivity, knowledge production and technology, this issue is concerned with the re-articulation of such themes in a transforming political landscape. What is an author and how do we understand authorship and its politics?" Published by ...ment, spring/summer 2012.more →

A Declaration of Principles (for artists, cultural workers, & supporters thereof)
Justin Langlois
"By posting this page, we submit that we are an artist, cultural worker, or a supporter thereof and declare the following: we are no longer interested in participating in consultancies, asset maps, or activities that offer us "promotional opportunities" in absence of clear financial or strategic gain. We will not support the exploitation of artists or other cultural workers or their works for the sole purpose of further municipal or economic planning, fundraising, or marketing. We refuse to acknowledge the existence of the politically-invented term, creative economy, which lumps together practicing artists with video cassette duplication services..." Published by Justin Langlois, 2012.more →

Working Artists and The Great Economy FAQs
W.A.G.E.
Working Artists and the Greater Economy (W.A.G.E.) is a New York-based activist group that focuses on regulating the payment of artist fees by nonprofit art institutions, and establishing a sustainable model for best practices between cultural producers and the institutions which contract their labor. This pamphlet is the seventeenth of the Artists & Activists series, published by Printed Matter, New York, 2012. www.wageforwork.commore →

Conceptualismo y Economía
Sofía Hernández Chong Cuy, Lee Lozano, Seth Price, Mario García Torres & Aaron Schuster, Joe Scanlan
"El título es puntual: Conceptualismo y Economía. La publicación reúne proyectos artísticos--en forma de ensayo, propuesta, guión y manifiesto--que tratan sobre la relación del arte conceptual y la economía. Esta pequeña publicación intenta introducir un puñado de obras que hacen una reflexión crítica y creativa de estos temas." Published by Murmur, 2009.more →

My Creativity Reader: A Critique of Creative Industries
Edited by Geert Lovink & Ned Rossiter
"Within policy and academic circles at least--creative industries operate as a meme that mobilises expectations. The term provokes an interesting range of human responses, from curiosity to outrage and disgust. Creative industries are not simply an empty signifier that grafts on to anything you please. There are contours and forces that guide the creative industries meme in some directions, and not others. We cannot take for granted what 'creative industries' means and consists of. Creative industries are a contested zone in the making. While policy draws on a set of presuppositions around the borderless nature of cultural and economic flows, situated creativity is anything but global. Concepts are always contextual." Published by Institute of Network Cultures, 2007. Creative Commons Attribution Noncommercial No Derivative Works 2.5 Netherlands License.more →

What does an art institution do?: Community Matters—English Handout
Tensta konsthall
To accompany the seminar What does an art institution do?: Community Matters, Thursday 3 May 2012 at Tensta konsthall. Abdellah Karroum on L'appartement 22 in Rabat; Sofia Victorino on the Whitechapel Art Gallery in London. Local respondent: Diana Baldon, Index, Stockholm. On institutional work which relates directly to communities in the immediate vicinity of the institution.more →

What does an art institution do?: Community Matters—Swedish Handout
Tensta konsthall
To accompany the seminar What does an art institution do?: Community Matters, Thursday 3 May 2012 at Tensta konsthall. Abdellah Karroum on L'appartement 22 in Rabat; Sofia Victorino on the Whitechapel Art Gallery in London. Local respondent: Diana Baldon, Index, Stockholm. On institutional work which relates directly to communities in the immediate vicinity of the institution.more →

What does an art institution do?: Size Matters—English Handout
Tensta konsthall
To accompany the seminar What does an art institution do?: Size Matters, Thursday 2 February 2012 at Tensta konsthall. Chris Dercon on Tate Modern, London and Gabi Ngcobo on Center for Historical Reenactments in Johannesburg. Local referent: Kim Einarsson, Konsthall C. On the potentials and problems of large and small scales.more →

What does an art institution do?: Size Matters—Swedish Handout
Tensta konsthall
To accompany the seminar What does an art institution do?: Size Matters, Thursday 2 February 2012 at Tensta konsthall. Chris Dercon on Tate Modern, London and Gabi Ngcobo on Center for Historical Reenactments in Johannesburg. Local referent: Kim Einarsson, Konsthall C. On the potentials and problems of large and small scales.more →

What does an art institution do?: All Over the Place—English Handout
Tensta konsthall
To accompany the seminar What does an art institution do?: All Over the Place, Thursday 29 March 2012 at Tensta konsthall. Sofía Hernández Chong Cuy on the Patricia Phelps de Cisneros Foundation and Kate Fowle on Independent Curators International. Local referent: Lena From, Stockholm Konst. On the mobile institution which works with various partners and sites.more →

What does an art institution do?: All Over the Place—Swedish Handout
Tensta konsthall
To accompany the seminar What does an art institution do?: All Over the Place, Thursday 29 March 2012 at Tensta konsthall. Sofía Hernández Chong Cuy on the Patricia Phelps de Cisneros Foundation and Kate Fowle on Independent Curators International. Local referent: Lena From, Stockholm Konst. On the mobile institution which works with various partners and sites.more →

The New Model: The Model and the City—English Handout
Tensta konsthall
Guide to accompany the seminar The New Model: The Model and the City a seminar on Palle Nielsen's project The Model (Moderna Museet 1968) and Tensta, Sunday 11 March 2012 at Tensta konsthall. With Palle Nielsen, Lars Bang Larsen, Gunilla Lundahl, Erik Stenberg. With pivotal agents from The Model and Action Talk present, this seminar took up the project from the perspective of art and cultural history--looking at how as it was perceived at the time and in its historical context of 1968. The seminar also explored the question of how contemporary experience and theory can inform historical events, which are still important and timely for us today.more →

The New Model: The Model and the City—Swedish Handout
Tensta konsthall
Guide to accompany the seminar The New Model: The Model and the City a seminar on Palle Nielsen's project The Model (Moderna Museet 1968) and Tensta, Sunday 11 March 2012 at Tensta konsthall. With Palle Nielsen, Lars Bang Larsen, Gunilla Lundahl, Erik Stenberg. With pivotal agents from The Model and Action Talk present, this seminar took up the project from the perspective of art and cultural history--looking at how as it was perceived at the time and in its historical context of 1968. The seminar also explored the question of how contemporary experience and theory can inform historical events, which are still important and timely for us today.more →

A Wikipedia Reader: Critical Point of View
Edited by Geert Lovink & Nathaniel Tkacz
"What values are embedded in Wikipedia's software? On what basis are Wikipedia's claims to neutrality made? How can Wikipedia give voice to those outside the Western tradition of Enlightenment, or even its own administrative hierarchies? Critical Point of View collects original insights on the next generation of wiki-related research, from radical artistic interventions and the significant role of bots to hidden trajectories of encyclopedic knowledge and the politics of agency and exclusion. " Published by Institute of Network Cultures, 2011. Creative Commons Attribution-ShareAlike 3.0 Unported.more →

Hinrich Sachs: Kami, Khokha, Bert and Ernie (World Heritage)—English Handout
Tensta konsthall
To accompany the exhibition Hinrich Sachs: Kami, Khokha, Bert and Ernie (World Heritage). Triggered by the children's program, Sesame Street, the project examines questions relating to children, popular culture and the licensing of artistic and intellectual material. What roles are played by imitation, interpretation, emancipation, and cultural translation from one context to another in the educationally highly valued sphere which surrounds children's play? What do these roles mean for popular culture?more →

Hinrich Sachs: Kami, Khokha, Bert och Ernie (världsarv)—Swedish Handout
Tensta konsthall
To accompany the exhibition Hinrich Sachs: Kami, Khokha, Bert and Ernie (World Heritage). Triggered by the children's program, Sesame Street the project examines questions relating to children, popular culture and the licensing of artistic and intellectual material. What roles are played by imitation, interpretation, emancipation, and cultural translation from one context to another in the educationally highly valued sphere which surrounds children's play? What do these roles mean for popular culture?more →

Autonomy Project Newspaper #1 Positioning
Autonomy Project
"Autonomy is a quality. Autonomy is an approach. Autonomy is a structure. Autonomy is a tool. Autonomy is a method. Autonomy is innate. Autonomy is taken. Autonomy is a 'line of flight'. Autonomy is a destination. Autonomy is a group. Autonomy is an individual. Autonomy is subtle. Autonomy is radical. Autonomy is knowledge. Autonomy is action...Autonomy is a word. A word with as many synonyms as it has antonyms. And it is this vast tagging cloud of possibilities which the Autonomy Project aims to map, investigate, work out and push through." With contributions by: Jeroen Boomgaard, Clare Butcher, John Byrne, Juan Cruz, Thomas Lange, Freek Lomme, Sven Lutticken, Becky Shaw, Steven Ten Thije. Published by Autonomy Project and Onomatopee, 2010. Creative Commons Attribution-Noncommercial-Share Alike 3.0 Dutch License. www.theautonomyproject.ning.com.more →

The Artist's Reserved Rights Transfer And Sale Agreement
Seth Siegelaub
"In 1971 drafted with Bob Projansky, a New York lawyer, after extensive discussions and correspondence with over 500 artists, dealers, collectors, museum people, critics and others involved in the day-to-day workings of the international art world. Designed to remedy some generally acknowledged inequities in the art world, particularly artists' lack of control over the use of their work and participation in its economics after they no longer own it. The Agreement form has been written with special awareness of the current ordinary practices and economic realities of the art world particularly its private, cash and informal nature, with careful regard for the interests and motives of all concerned." Published by Primary Information. www.primaryinformation.org/index.php?/projects/siegelaubartists-rights/.more →

Noise & Capitalism
Edited by Mattin & Anthony Iles
"A tool for understanding the situation we are living through, the way our practices and our subjectivities are determined by capitalism. It explores contemporary alienation in order to discover whether the practices of improvisation and noise contain or can produce emancipatory moments and how these practices point towards social relations which can extend these moments." Contributors: Ray Brassier, Emma Hedditch, Matthew Hyland, Anthony Iles, Sara Kaaman, Mattin, Nina Power, Edwin Prévost, Bruce Russell, Matthieu Saladin, Howard Slater, Csaba Toth, Ben Watson. Published by Arteleku Audiolab (Kritika saila), Donostia-S.Sebastiá, Spain. September 2009. Writers included in this book have different opinions regarding intellectual property. Consult each text to understand the authors' positions. www.arteleku.net/noise_capitalism.more →

Imagine There Is No Copyright And No Cultural Conglomorates Too
Joost Smiers & Marieke van Schijndel
"If we recognize that copyright is unfeasible, and unjustifiable, what should our response be? Copyright provides an investment protection to blockbusters, best sellers and stars. It distorts cultural markets and pushes a wide variety of cultural expressions out of sight. At the same time, cultural conglomerates controlling copyright dominate cultural markets by owning the means of production, distribution, marketing and reception of cultural expressions. From the perspective of democracy and fair competition this type of market control is not to be tolerated. Thus, let us imagine what abolishing copyright would accomplish, while we do not hesitate cutting cultural conglomerates into many pieces. The result is a level playing field in which many, and many more artists can make a decent living. And even more important effect would be the restoration of our public domain of creativity and knowledge." Theory on Demand #4, published by Institute of Network Cultures, Amsterdam, 2009. Creative Commons Attribution Noncommercial No Derivative Works 3.0 Netherlands License.more →

(Extended) Footnotes On Education
Florian Schneider

"Rather than simply lament the decline of public institutions, the ongoing privatization of knowledge, and the resulting precariousness of access to education, we should challenge ourselves to learn how to respond to the current situation without drowning in it. The discovery of possible points of resistance to these oncoming waves of privatization, appropriation, and commodification has become urgent. The system of public education is threatened by a crisis with multiple sources, a crisis that exceeds the limits of our imagination and is essentially beyond measure since what is put into question is the very idea of measurement and commensurability as such. It is a crisis of property, which has become increasingly "imaginary" in the sense that one can no longer be sure of whether or not it is real." From E-flux Journal #14, March 2010. www.e-flux.com/journals/?user=8398.

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Contemporary Art and its Commercial Markets—Preface
Maria Lind
"An attempt to map and analyze one aspect of recent changes in the production and distribution of contemporary art, namely the state of the commercial art market; to put things on the table which have been sensed and guessed at for a while but for "fear of touching" have not been compiled and openly debated. As commerce and recent art are becoming an increasingly intimate and powerful pair, and as the criteria of economic efficiency invade art production as well as curating, it is necessary to scrutinize the mechanisms at play and what they generate. Because there is no denying that the entire world of art is influenced by these mechanisms, regardless of your proximity to or distance from the drama." From Contemporary Art and its Commercial Markets, a report published by Tensta konsthall and Sternberg Press.more →

Shadowboxing #1 What Is an Apparatus?
Marysia Lewandowska & Giorgio Agamben
Artist Marysia Lewandowska's annotations reflect her reading of the text "What Is an Apparatus" by Giorgio Agamben, in response to an invitation from the 2010 graduating students of the MA Curating Contemporary Art course at the Royal College of Art. Published by the Royal College of Art, London 2011. Licensed under Creative Commons Attribution. www.shadowboxing.rca.ac.uk.

 
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Bidoun Library—English Handout
Tensta konsthall
To accompany the exhibition Bidoun Library, a mobile library consisting of books, magazines and other printed matter from and about the Middle East.more →

Microhistorias Y Macromundos #3
Edited by Maria Lind
"Abstraction is an important visual strategy first used by the classical avant garde but it is also an aesthetic category. At the same time, abstraction can be described as the quintessential twentieth-century intellectual technique." Selected texts from a reader dealing with abstraction published in conjunction with the exhibition Abstract Possible: The Tamayo Take. Contributors: Maria Lind, Meyer Schapiro, Ina Blom, Sven Lütticken, Liam Gillick, Matias Faldbakken, Emily Roysdon, Irit Rogoff, Nina Möntmann, Anthony Davies, Stephan Dillemuth & Jakob Jakobsen, Gerald Raunig. Published by Museo Tamayo, 2011.more →

Bidoun Library—Swedish Handout
Tensta konsthall
To accompany the exhibition Bidoun Library, a mobile library consisting of books, magazines and other printed matter from and about the Middle East.more →

Ecstatic Resistance
Emily Roysdon
"Ecstatic Resistance is a project, practice, partial philosophy and set of strategies. It develops the positionality of the impossible alongside a call to re-articulate the imaginary. Ecstatic Resistance is about the limits of representation and legibility--the limits of the intelligible, and strategies that undermine hegemonic oppositions. It wants to talk about pleasure in the domain of resistance--sexualizing modern structures in order to centralize instability and plasticity in life, living, and the self. It is about waiting, and the temporality of change. Ecstatic Resistance wants to think about all that is unthinkable and unspeakable in the Eurocentric, phallocentric world order." Published by Grand Arts, 2009. www.emilyroysdon.com.more →

Abstract Possible: The Stockholm Synergies—English Handout
Tensta konsthall
To accompany the exhibition Abstract Possible: The Stockholm Synergies featuring work by Doug Ashford, Claire Barclay, José León Cerrillo, Yto Barrada, Matias Faldbakken, Priscila Fernandes, Zachary Formwalt, Liam Gillick/Anton Vidokle, Goldin+Senneby, Wade Guyton, Iman Issa, Gunilla Klingberg, Dorit Margreiter, Åsa Norberg/Jennie Sundén, Mai-Thu Perret, Falke Pisano, Walid Raad, Emily Roysdon, Tommy Støckel, Mika Tajima, Haegue Yang.more →

Abstract Possible: The Stockholm Synergies—Swedish Handout
Tensta konsthall
To accompany the exhibition Abstract Possible: The Stockholm Synergies featuring work by Doug Ashford, Claire Barclay, José León Cerrillo, Yto Barrada, Matias Faldbakken, Priscila Fernandes, Zachary Formwalt, Liam Gillick/Anton Vidokle, Goldin+Senneby, Wade Guyton, Iman Issa, Gunilla Klingberg, Dorit Margreiter, Åsa Norberg/Jennie Sundén, Mai-Thu Perret, Falke Pisano, Walid Raad, Emily Roysdon, Tommy Støckel, Mika Tajima, Haegue Yang.more →

European Cultural Policies 2015: A Report with Scenarios on the Future of Public Funding for Contemporary Art in Europe
Edited by Maria Lind & Raimund Minichbauer
"It is 2015. Art is almost completely instrumentalised--regardless of whether its financing is private or public. Art services either national or European interests, where it is especially useful in the construction or reinforcement of specific identities. At the same time, art is a desirable commercial product. It is ideal for collecting and it contributes to regional development whilst providing society with new creative employment opportunities. Visiting art museums and centres is a popular, easily digested leisure activity. In 2015 art is also used to stave off undesirable fascistic and nationalistic tendencies in society." Published by IASPIS and EIPCP, 2005. Creative Commons Attribution-NonCommercial-NoDerivs 2.5 & Attribution-NonCommercial- ShareAlike 2.5.more →